DIEGO AMADOR: Gypsy Flamenco Jazz

As well as the Flamenco music was born with the forefronts, close to other artistic manifestations, Diego Amador is the forefront of the Flamenco. He approaches with nonchalance, without complexes and without resigning his andalusian gipsy flamenco, soul other musical expressions, fundamentally - though not only - to the jazz and, also, he leaves that this musical others approach, across him, the Flamenco.

Diego Amador has had the best teachers who can be had: his family and his own artistic worry. It is whatt make him a total Renaissance sense artist .

Not only he composes, produces and interprets his own works, but he dominates multiple instruments in which he leaves his personal stamp. To the battery, to under or the piano there joins something that, surely, will give very well to speak his voice. A voice that when he sings does not conceal his inspiration. The art is first of all a feeling, and these feelings move us to moments that leave fingerprint and remain forever in his way of understanding this of the Flamenco.

The piano is the mirror in which he looks opens the door for a new world. . He is a Flamenco gipsy playing an universal piano. Because of it, when Diego start to dance his fingers on the white and black keys, the old gypsy who goes in the guts remembers Sabicas or Paco de Lucía, and realizes harmonic juggling that make us believe that after the Soleá that he interprets there is a Andalusion Gipsy Flamenco guitar. In the same way the child who remained captivated by the sounds jazzísticos of Evans, Davis or Hanckok, goes out to shine whenever he does music, for very Flamenco Gipsy that is what He is interpreting.

Diego Amador is a person to the service of the music.

This musician is not limited to etiquettes, which one does not limit to the in what they did others, that does not conceal his origins and who does not also give up opening an own path that is doomed to being the immediate future of the Flamenco.

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