Thu, February 4th

~Saucy Squad Presents~ Lost In The Sauce Feat. Mr. Sampson and Sistine Criminals

electronic Funk hip-hop House soul TICKETS

Doors 7PM
Show 8PM
Advance Price $5
Door Price $5

Advanced online ticket sales stop at 5pm on day of show
If available, more tickets are available at door

~Saucy Squad Presents~
Lost in the Sauce feat
Mr. Sampson & Sistine Criminals


Mr. Sampson :
HipHop-Electro-Soul-Glitchy-Bass-Funk Musik

 
 
Hailing from Philadelphia, Mr. Sampson is the live electronic project of producer Joe Haederle and drummer Aaron Harel. Joe’s production combines soulful samples, original instrumentation, and cutting edge sound design to create music that resonates through the listener. Aaron’s tight fitting grooves and explosive fills fit snugly with Joe’s synth work and sample manipulation, creating an immersive live experience. The duo has appeared at festivals such as Camp Bisco, Great North, and Disc Jam and shared the stage with national touring acts including Break Science, GRiZ, Cashmere Cat, and Big Sean.

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Sistine Criminals
DnB, House, Trap

 
 
Sistine Criminals is a LIVE 2 piece - “Half Man, Half Machine" - hybrid electronic band founded by drummer/producer Greg “TORCH” Sgrulloni (Conspirator) and saxophonist/producer Aaron “BURN” Burnett (Esperanza Spalding, Jeff Tain Watts, Kim Thompson). Based in Brooklyn NY, the Sistine Criminals are known for bringing audiences high energy live performances containing "DJ-esque” style electronic beats spanning the genre's of House, Drum n' Bass and Trap. With a set up consisting of live drums and sax, an array of electronics and a DJ/Production set up with 2 computers synced to Ableton Live, the Sistine Criminals sets are a combination of pre-composed material and loop-based improvisation. Using live production techniques such as pitching, tap sequencing, live looping/sampling, filters/FX, triggering and more, many of the musical elements in SC's sets can be seen being physically played and/or controlled visibly by human hands allowing the audience to “see” the music unfold in real-time performance. 

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