Fri, July 13th

Joel Harrison and Anupam Shobhakar Jazz and Indian music


Doors 6:30pm
Show 7:30pm
Advance Price $12
Door Price $17

Advanced online ticket sales stop at 5pm on day of show
If available, more tickets are available at door


 Joel Harrison and Anupam Shobhakar Jazz and Indian music

7:30 - 8:15PM   North Indian Classical Ragas:

Anupam Shobhakar, Jay Gandhi

& Nitin Mitta
             8:30 - 9:30PM Joel Harrison/ Anupam Shobhakar Quintet


" If Drom is global music for a new world ~ I couldn’t feel more at home. I’m looking forward to sharing the stage with Joel, Jacob and Johannes in what will be a culturally diverse improvisational performance and lively example of ‘tayaari’. "

- Shobhakar and Harrison

In 2010 Shobakar and Harrison embarked on a musical expedition together, blending their respective genres into a rich, inimitable sound all their own. Joel Harrison’s musical style has few parallels in modern music. Guitarist, composer, arranger, vocalist, songwriter, bandleader – Harrison deftly juggles all of these roles, melding influences from jazz, classical, country, rock, and world music. When asked about their upcoming performance at Drom, Shobakar remarked, “If Drom is global music for a new world ~ I couldn’t feel more at home. I’m looking forward to sharing the stage with Joel, Jacob and Johannes in what will be a culturally diverse improvisational performance and lively example of ‘tayaari’, meaning the perpetual preparedness for new musical ideas. Prepare to hear something new. ”

Sarodist Anupam Shobhakar and guitarist Joel Harrison have created a musical dialogue and union that is fresh and vital to the progressive music scene. Their new recording, “Leave the Door Open” features original compositions and arrangements of songs from India and America, performed by a remarkable group of New York-based jazz musicians. including Dan Weiss (drums, tabla), Gary Versace (piano, Hammond B3, accordion), and Hans Glawaschnig (acoustic and electric bass). They are joined by saxophonist David Binney and percussionist Todd Isler on two tracks. as well as a Baul singer from Bengal and a master khyal singer from Bombay.

There has been much evidence in recent times of fusions of different streams of music. This recording stands out as a true collaboration between a classical Indian musician and a jazz-based American. Both individuals provide innovative compositions as well as exquisite versions of Willie Dixon’s “Spoonful”, a Bengali folksong “Kerem Advul”, and the gospel tune “Deep River.” Many of the pieces were developed in tandem, as both composers demonstrated a remarkable empathy for each others’ approach. They strived for a seamless blend, where far flung influences and backgrounds merge in an organic way, where there is not an “Indian” episode or an “American” chapter, rather a unity.

This unity makes the record unique. Both Shobhakar and Harrison are steeped in their own traditions, yet are open and admiring of each other’s history. Shobhakar, who hails from the Maihar Gharana, a family whose contribution to the world of Indian instrumental music is unparalleled, a legacy which has produced artists such as Ustad Ali Akbar Khan, Pt Ravi Shankar, Pt Nikhil Banarjee, and Baba Allaudin Khan, also grew up listening to jazz and rock music. He is perhaps the only sarodist alive willing and able to sit with New York jazz musicians and convincingly merge into their sound. Harrison is one of most prolific, eclectic musicians anywhere, with extensive experience in jazz, American roots, and classical composition. He has released 14 cds, leading all manner of unorthodox groups with jazz stars such as Donny McCaslin, Cuong Vu, Uri Caine, Paul Hanson, and David Leibman. He attended the Ali Akbar School of Music, studied briefly with Pandit Pran Nath and Vasant Rai, and has had an abiding interest in North Indian music since the age of 20. Harrison excels at “crossover” music, and has logged many miles experimenting with bringing diverse sounds together.

Harrison and Shobhakar met when Harrison received a Guggenheim Fellowship and invited Shobhakar to be featured soloist in a 75 minute composition for classical percussion quartet, guitar, sax, bass, and drums entitled “Still Point- Turning World.” The two immediately found common ground, and began making new music as a duo and with the quintet. Shobhakar moved to New York in 2011, allowing the two to deepen the connection.

What you will find here are gorgeous melodies, intriguing rhythmic devices, unusual compositional forms, a huge sound world (Harrison plays five different guitars, from National Steel to Gibson SG), blazing sarode solos, heart rending singing, and funky, down home blues with a taste of country. If it all sounds like too rich a masala, we invite you to see for yourself just how remarkably unified the work is. 

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